I figure while I'm already on here, what the heck lol. I also mainly want to feature one song in particular which is why I end up posting these in the first place.
I looooooove this. Love it so much I actually listened to the entire album. I never do that. Usually albums just go onto my "I'll get to this eventually" list and it takes me a year or so to get to it. The album is equally as good as the song.
CLC - Meow Meow & Liar (2017) (K-Pop)
Their comeback was a cheap rip off of 4Minute. There. I said it. Hobgoblin is a fun song yes, but Hyuna ruined CLC by trying to make them EXACTLY into 4Minute. And does she love the sound of her voice so much to make the one rapper girl sound exactly like her? Gosh that was the most offputting thing I've ever experienced in K-pop. Hyuna needs to stay away from CLC unless she has some fresh ideas for them. These two album tracks on the other hand are great. They're tropical house/K-pop sounding would have worked much better for a retooled CLC. Make them more of a cool "bad girl" group, but with something fresher and less sounding of desperation.
Seohyun - Don't Say No (2017) (K-Pop)
I love this new K-pop trend. Bright colors and house fusions. It's so hilarious to me how obvious the trends show up in K-pop. No. K-pop is nothing like Western music at all *rolls eyes*.
Predianna - Cry Like This (2017) (J-Pop)
Tsubaki Factory - Hatsukoi Sunrise (2017) (J-Pop)
My babies! Mark my words. They are H!P's next big thing.
Now that I've had 24 hours to process the news of 13th gen, I'm just somewhat ambivalent towards them. They need to release something for me to have any interest in the new girls. I do think people are being a little unnecessarily harsh towards Kaede though. I don't particularly care for her because I don't think that her voice is good like people say it is. It's a deeper voice which draws people to it, but I don't find her a good singer. As for her supposed attitude problem, I don't follow the Kenshuusei close enough to even know what people are complaining about. With Reina, I'm really thinking she would make a good double center with Maria. MM needs faces to lead the group. Keep the Sakura/Mizuki/Masaki lead singer trio, but put Maria/Reina front and center to push them into the minds of the general public.
With MM this year, I feel like they just coasted through it. Two singles a year for the most popular group of H!P is not a good business plan Up-Front. They even have a bunch of new songwriters so they can't use the excuse that Tsunku has too many songs to write. They need to have an album next year and at least three singles. If they want the new members to gain traction, they need to start shoving them onto as many music, variety, internet, cooking, or alien theory shows as possible. Anything that they can get them on is the point really. Now is a great time to start with the buzz from new members.
Musically, MM was once again the group with the best releases (with maybe the exception of Juice=Juice this year). Their first single was a bit blah, but Utakata ended up being fun & Tokyo to Iu is still awesome. I like to pretend The Vision doesn't exist. The entire Sexy Cat single was pretty solid in my opinion. I like Sou Janai the least but it's still cool. Mukidashite (? I can't spell to save my life this month I swear) is freaking amazing. Sexy Cat is quirky and fun. Something different for the group in it's current incarnation. Hoping next year's single exceed this year.
Ah Angerme. It seems like they're the current "golden child" of H!P fans. They are always praised to the heavens by just about everyone. I don't get it personally. I like Angerme. I do. I like the members, they're talented. But their music is no better or worse than the rest of the H!P groups. It's exactly the same. For me personally, I actually like Angerme's newest material less than everyone but Kobushi. Their EDM-ish tracks are so lame and one note. The girls sound bored singing them. Their rockier tracks are even worse. I've been indifferent to everything they've released this year. Itoshima Distance was probably the highlight and even then it's kind of meh. So disappointing for Meimi's final single. I really hope they get better music next year, or at least have some energy while singing the songs.
Member wise, Angerme has been somewhat surprising this year. Moe was pretty surprisingly added (although I don't remember if that was late last year or early this year. Whatever. She had her first single this year so it counts). Moe seems to be very talented, but I don't find myself drawn to her like everyone else seems to be. She also really looks like Zoe Barnes from House of Cards to me. I don't know why. I didn't like Zoe. She was annoying and I'm glad she was killed off super early into season two (I'm on episode 3 I think of season two so far, such a good show). Off-topic but ANYWAY, I'm indifferent to Moe. Momona though. Gosh I really dislike saying I don't like certain girls because I don't know them personally and they're all younger than I am and it's their dreams to do this job, but I really don't like Momona. They couldn't have picked a more horribly awkward girl for Angerme. She needed another year or two in the Kenshuusei in my opinion. I know that Maho was super awkward at first and she's amazing now, but Maho has a quality that drew me to her from the get go. Seeing Momona in official pictures makes me cringe because she is so out of place. I'm just somewhat disappointed in Angerme all around this year.
#10
Suki yo, Junjou Hankouki (2012) (-2)
#9
Aa Susukino (2014) (NEW)
#8
Ee ka?! (2013) (NEW)
#7
Mystery Night (2014) (-)
#6
Uchouten Love (2011) (-1)
#5
Smile Bijin (2010; from Ganbaranakutemo Eenende) (+1)
#4
Shin Nippon no Susume! (2013; from 2 Smile Sensation) (-)
Juice=Juice seems to have had a pretty good year. Both in public recognition and music. I think it's pretty awesome that they were able to star in their own drama. I haven't watched it because I really don't care enough to watch it, but it's still cool. Upset that they never released Otona na Jijou as a B-side/a single. I don't want to waste the money to buy the Petit Best to get it on CD. The group is very good as a complete package. Better than C-ute in my opinion. I don't think that they have amazing talent above and beyond everyone else, but as a cohesive unit they're good. As for the music this year, I think that they had the best releases. Their first single was amazing all around and Dream Road is probably one of the best songs out of H!P in the past 2 years. They're the group that still has the most "H!P Tsunku vibe" to them, probably because they're still mainly produced by him. I predict that someone will graduate next year though. I don't imagine that they will last as long as Berryz and C-ute. I'd be surprised if they lasted as a group until 2020. For next year though, I hope that they continue with the great music and continue to impress.
#10
Romance no Tochuu (2013) (-)
#9
Black Butterfly (2014) (-2)
#8
Ijiwaru Shinaide Dakishimete yo (2014) (-4)
#7
Karada Dake ga Otona ni Nattan ja nai (2016) (NEW)
#6
Watashi ga Iu Mae ni Dakishimenakya ne (2013) (-)
#5
Hadaka no Hadaka no Hadaka no Kiss (2014) (-)
#4
Dream Road ~Kokoro ga Odoridashiteru~ (2016) (NEW)
It's too bad none of these groups have enough songs to fill an entire countdown yet. Well, Kobushi does (and technically the Kenshuusei do too but they'll always be with other groups unless they come out with a second album), but I haven't heard the songs from Kobushi's album yet so they still get this place. With C-ute leaving next year, there will be an open slot on the countdown for them or Country Girls, depending on if Country Girls releases an album since they have more seniority.
I guess I'll go backwards and talk about the Kenshuusei first. This year I don't find myself interested in any of the Kenshuusei that are left. There's girls that I think are talented, but I'm not invested in any of them like I was with Musubu or Kisora. Even the Kenshuusei test this year was pretty bad. I thought almost all of the girls didn't perform well, especially girls who had been in the company for a while. Momohime knocked it out of the park & Hikaru/Ruru were good as usual, but everyone else just sounded blah. As for who I'm rooted for for 13th gen....I don't really know. I don't want Kaede. I don't think her vocals are hot stuff like everyone says they are, she just has a deep voice. I do want Reina though. Her singing is ok, but she's so gorgeous. She and Maria could be co-faces of the group & get lots of photoshoots I believe. As for a good singer, either Hikaru or Ruru would be nice. Momohime I believe would be a good talent to have in MM, but not yet. In my opinion, she doesn't look mature enough yet to meld into the group with the style they're going for these days. In a year or two, maybe, but not yet. Could MM change their style up to fit her? Yes. But at the same time, MM has NEVER been a cutesy group. Sure they have a couple cuter songs, but they've always been a more mature looking funky group and to become Country Girls 20 years into their existence would be a terrible route to pursue. I truly think that Momohime is the next Karin/Ayano. The future face of a future group once she's older to be able to carry it. So yeah, I don't have much of a preference for 13th gen. Even if Kaede or Momohime get in, I won't be upset. I don't personally think they'll fit, but who knows, they might surprise me.
Tsubaki! I don't care what anyone says I love Tsubaki & they're better than Kobushi will ever be (bold statement xD). Yes, objectively Kobushi are much MUCH more talented than the Tsubaki girls. However, I love EDM. Therefore, I vastly prefer Tsubaki over Kobushi and always will unless both groups drastically change their style. I'm extremely excited for their major debut. Just Try sounds like it'll be great in the studio recording. The three new members were a shock this year. Mao was really the one I was hoping to get into MM, but I'm very pleased with her placement in Tsubaki. Saori I was always iffy on (I've always seen her as a Karin-lite), but she seems to be fitting in well. I didn't really know anything about Mizuho, but she's SO pretty and fits in with the group perfectly. I'm upset that they only received one release this year (I don't count the EP cause it was all already released/covers). Hitorijime was.....ok. I typically love Tsunku's songs but it just felt ok. Nothing mind blowing like Manmannaka or Sakihokore.
Kobushi is a group of ups and downs for me. They're so very talented, but so few of their songs appeal to me. I don't really care for funky pop rock music and it's grating hearing young teenagers attempting to do that vocal growl in songs. I didn't really like any of the songs on their third single, and outside of Sakura Night Fever (which grew on me), their second single was meh too. Also, what's with them receiving an album before Country Girls?! That somewhat bothers me but whatever. I am surprised that none of the girls have announced a graduation yet though. H!P groups tend to always have that one that leaves not long after debut. I would be ok with both Kobushi & Tsubaki becoming the new Berryz/Cute and not having generations (barring Tsubaki gen 2 as they were clearly added to balance out the group before major debut) and graduating as a mainly intact team.
Country Girls had such a high point early this year with Boogie Woogie Love & Koi wa Magnet, and then kind of crashed from that with the okay Dou Datte & a song cover. I don't like covers. To me, it's a company being lazy and they didn't want to pay a songwriter to do something original. I really wanted an album from them this year. I'm hoping that the rumor of their new single is true. The rumored song titles sound like a dark vs. light (SWTOR themed? LOL....if anyone gets the bad joke xD) concept with a mature song and a cutey song. I think that'd be cool. I'm SO glad that Momoko is leaving next year. It's a perfect time, right after Cute leaves. I'm also hoping for a Country Girls Gen 3 with Momohime & one of the newer girls. And Musubu leads. And solos. And a Musubu solo career without Country Girls. Yes. That. Speaking of Musubu, was anyone else upset that she got no lines in that cover song? I was upset. It wasn't only a cover song, but it was also a cover song without Musubu getting a solo line. Two dings from me! In all seriousness though, Namida no Request isn't bad at all, I'm just annoyed they had a cover song as an A-side on a single with only two songs. It's not as annoying when there's more songs.
#10
Country Girls - Dou Datte Ii no (2016) (NEW)
#9
Kobushi Factory - Sakura Night Fever (2016) (NEW)
#8
Hello! Pro Kenshuusei - Oheso no Kuni Kara Konnichiwa (2014) (-4)
#7
Kobushi Factory - Survivor (2015) (-4)
#6
Country Girls - Boogie Woogie Love (2016) (NEW)
#5
Hello! Pro Kenshuusei - Koishitai Shinto (2015) (+2)
I wish SKE hadn't only gotten two singles this year. As they're the second most senior group after AKB, they should get more releases tbh. And what happened to that album? Did management forget about it or something? SKE's really feeling pretty forgotten recently. Their first single this year, Chicken Line, was REALLY good. Now that's the type of song SKE pulls off the best. The music video was amazing too. The B-sides were largely forgettable, although Is That Your Secret was good. Kin no Ai the A-side was nice. The concept fit SKE even though the song was just ok. The B-sides though...is it just me or were they all the same song? Seriously, they all sounded so sameish and bland. The group also lost a lot of strong members in the past year. Aya Shibata leaving was certainly a downer. They really need to focus on the new girls and stop relying so much on Jurina cause the older established members are starting to drop like flies.
Ah NMB....they could be so awesome and they do have great moments, but fall flat so often. Was it only me that found NMB's releases this year bad? Amagami was ok at best & Boku wa Inai was sad. Their newest single sounds like it's going to be awesome, but it's too late in the year to really think about for this post. I also wish that there wasn't any "rapping". No one in 48G can rap so please, please stop it. They sound worse than the token K-pop rappers. I was right last year when I thought that the big members were going to begin to graduate with Miyuki leaving this year. I'm still guessing that Sayaka will at least announce hers next year. I think NMB will be fine without either girl, they just need to stop relying on Sayaka so much. Ririka makes a good center & this "Ayaka Yamamoto" girl (gosh when they saw her name they must've seen dollar signs) seems to be coming up so they have other options. Sayaka will still sell a bazillion handshakes whether she centers or not.
I think very few of my rankings changed from last year. Ouch NMB.
#10
Junjou U-19 (2011) (NEW)
#9
Ibiza Girl (2013; Sekai no Chuushin all versions) (+1)
#8
Renai Petenshi (2015; Don't Look Back (Type N) (-)
#7
Kitagawa Kenji (2012) (-1)
#6
Todokanasoude Todokumono (2013; Bokura no Eureka (Types A-C)(+1)
Didn't NGT have a single announced for this year? What happened to that or was that just an internet rumor? AKS seriously needs to get on the ball and have them release something. Keyaki has been around for almost the same amount of time and they've already had three singles. It's almost like AKS wants everyone to forget about NGT and watch them fail. They have I think only 2 songs (or was it three? I don't remember) so far that were just AKB B-sides. Their B-side on Tsubasa wa Iranai was awesome though. I hope they take that direction instead of HKT cutesy. It was also the only good song on the entire Tsubasa single too. I really don't have many thoughts about the group itself. They need to debut because I'm just uninterested in them otherwise.
HKT is so boring. There I said it. Out of all the 48s, 46s, eleventyfours & whatever else, they're the most boring musically. They absolutely have good songs, but why do all of their A-sides tend to sound EXACTLY THE SAME. Saikou ka yo was an ok change from Okubuns & 12 Byous, but it still felt so blah. For a supposedly high energy song where was the energy? The girls sound like they sing on auto pilot & the recording people don't care. I also really miss Meru has center. Haruppi is bland in my opinion. I liked that they switched it up & made Hana center for Saikou but I don't really see anything much more interesting in her to be honest. Their B-sides this year were all rather bland too. Taboo no Iro attempted to be edgy & cool, but it came off really forced. Team H's song on Saikou was alright, but beyond that I can't think of any other B-side this year that caught my attention. The weird thing is, their best song this year was on an AKB single! Make Noise is awesome. Why not do that on your own singles?!
So. I've noticed that all 3 of the entries I've done so far besides this one I've screwed up the title. Wow. I clearly am not having a good week lol. I've been sick all week so that's my excuse.
Nogi & Keyaki are together in this because Keyaki doesn't have enough releases yet to have their own spot.
To me, Nogi hasn't had a super stand out year. Quite frankly all of their releases from this year blend together and I actually had to sit for a couple minutes to even remind myself what they'd released. I haven't enjoyed any of their title tracks this year and their album wasn't interesting outside of Erika Ikuta's solo either. I guess Nogi's music style is not for me at all. However, they do manage to release some really awesome songs once in a while. Like I said on my Top J-Pop post, when Nogizaka releases a good song, it's not just good, it's stellar. They did that this year. Their B-side Harukanaru Bhutan. Whoever did the music for that song, I just want to congratulate them on creating one of the most gorgeous pieces of pop music I've ever heard. I'm so upset that it was a B-side and didn't get a whole lot of attention. It's the best thing that any 48G group has ever put out. It's just too bad that the rest of their music is so bland. As for Nogi themselves this year, I'm actually a little shocked at how strong they are going right now. It looks very possible that they will beat AKB within the next year or two, as long as the idol market doesn't completely crash.
Keyaki is a bit of a mystery to me. I can't figure out if I want to like them more than Nogi or not. Their very first single, Silent Majority, absolutely blew me away. Such a style difference from Nogi's more reserved songs. I loved it and the B-sides weren't that bad either. However, I've been disappointed in their next two singles. I like that they're keeping the faux military concept, but I HATED Sekai ni wa. It's a song. There's not supposed to be that much talking in a song. Make a freaking drama if you want to talk over music don't ruin the song. The B-sides were okay, all though I did really like Yurina's Parco solo. That was cool. Although I don't hate Futari Saison, I find it bland like Nogi's material and the B-sides were very lacking too in my opinion. The group seems to be easily matching AKB's sister groups in sales and will likely surpass them by next year. One thing I do wonder though is how long people will like Yurina being the center. I think she's a rather good center, but as we saw with Nogi, will people start being resentful that she's the only one centering like Rina was? There's already some talk on forums that I've seen where people are wishing for a new center. I'm curious to see if management will stick with Yurina or if they'll try someone new next year.
On to the song countdown! Like last year, it's unlikely that all of the songs will be linked because it's harder to find 48G material online that aren't download links sadly.
So last year when I did this one, I didn't really know many J-pop songs outside of idol groups. This year I've gone more out of my way to find J-pop songs from soloists and bands. I still have a long way to go to get into other J-pop, but it's improving lol. Because of expanding my horizons, this list is much different than last year's. As with last year, this will not feature any songs from H!P or 48G (minus one) because the entire list would be from them otherwise.
#10
One Ok Rock - Mighty Long Fall (2014) (NEW)
Yeah blah blah this isn't technically J"pop" but I don't technically care. The only reason I checked this song out was because I saw their Taking Off video uploaded on the Fueled By Ramen YouTube & I was so confused because I knew they were a Japanese group and didn't know why they were being uploaded on an American YouTube channel. I'm glad I did decide to check it out though because it's such a great song. Reminds me a lot of Fall Out Boy who I love.
#9
Minako Honda - Dramatic Escape (1988) (NEW)
One thing I've really been trying to do over the past year is focus on 80s J-Pop. I really love the sound of it. Unfortunately, I haven't had the time to check out too many CDs, but one that I have is Minako's Lips album. It's SO good. I'm a sucker for great 80s music and it really is awesome.
No YT video, sorry. But you can listen to it on my 8Tracks playlist! (<---Clicky Clicky)
#8
Galette - Brand New Style (2013) (-6)
I DON'T WANNA TALK ABOUT IT GUYS. IT'S JUST NOT FAIR. I was devastated by the news of their disbanding. Well, at least as devastated as I can get with music. I don't get super attached to groups even if I love them so it's not like I was crying over it but I was still upset. They had SO MUCH POTENTIAL. Wasted. Utterly wasted. To be honest I'm more pissed off at their company than upset that they disbanded. But ANYWAY. This song has slipped a lot for me recently. Probably because I overplayed it to death. Still an absolutely amazing song though.
#7
Ayumi Hamasaki - Real Me (2002) (-4)
One of the very few non-English songs I enjoy primarily for its lyrics. Just a lovely song.
#6
Predia - Maboroshi wa Xanadu (2014) (NEW)
So. I feel as though I should be ashamed of myself for not knowing this song earlier. I actually owned it for a year before listening to it. I bought Predia's first album because I liked the singles and then never got around to actually listening to the album itself (which is absolutely fantastic by the way if you like dance pop & good vocals). I either like this or Yakou Chou best on the album but I couldn't decide which so I just went with which one I loved first lol.
No video
#5
Hangry & Angry - Top Secret (2009) (+1)
This really only has a placing because of nostalgia, but I remember this being my first real J-pop song addiction outside of Morning Musume.
#4
Momoiro Clover Z - Mouretsu Uchuu Koukyoukyoku Dainana Gakushou "Mugen no Ai"(2012) (-2)
Another song that's fallen because I played it completely to death. Still love the insane wackiness of the whole thing.
#3
Osaka Shunkashuto - Cameleon Shoujo (2015) (NEW)
When are they going to release a new single? Seriously they need to release something and not just perform all the time. I hate when I fall in love with a group and then they hardly ever release music (looking at you Coco Decoru. One release since 2014.) But at the same time Osaka Shunkashuto is one of the few groups that I actually have watched a couple live performances of, mainly because Maina is an absolute star and owns any stage she walks on.
#2
Galette - Air Summer (2015) (NEW)
Man I miss them. Their whole discography is flawless. They should've released one last single or an album before their end.
#1
Nogizaka46 - Harukanaru Bhutan (2016) (NEW)
This is my one exception. I only put this here because it is my actual favorite J-pop song of all time. It only came out this year, but it's one of those genre defining songs for me. The music is absolutely gorgeous and everything is just wonderful about it. It's actually surprising to me how much I love it as Nogizaka is one of my least favorite groups in 48G. However, when they have good songs, those songs are incredible.
I said I was going to do this again and I'm going to try my best to post on time for each day lol. The format will be exactly the same as last year except this year I'm going to the places each thing moved (or is new) from the past year. Mainly because I just want to see how my interests have changed over the year. So here we go, entry #1!
So I feel like last year's list was completely all over the place. 2015 was the first year since 2012 that I had had much interest in new K-pop and due to that, my list was so scatterbrained and I had forgotten about so much. This year I think I have a much more accurate idea of my top 10 K-pop songs of all time.
#10
Oh My Girl - Closer (2015) (-)
This song made the list last year even though it was practically brand new. Closer really reignited an interest in K-pop for me. It's just an incredible song by an incredible group. If the song continues to hold up in the future, it easily could be in my top three.
#9
Girl's Day - Expectation (2012) (NEW)
I really got back into this song this year. I loved it when it came out, but I finally picked up the album this year and have played it a lot since. This song in my opinion was Girl's Day's peak. They've had good songs since, but this was their peak musically for me.
#8
Girls' Generation - Into The New World (2007) (-4)
Out of all of SNSD's songs over the years, their debut remains my favorite. It's actually aged rather well as opposed to once great songs like The Boys or Run Devil Run that just sound like they should've stayed in 2011. It's just a fun & uplifting song.
#7
Chocolat - I Like It (2011) (-4)
I still miss them so much. Years ago this would've been number one for me, but quite frankly it just hasn't aged well at all. I still love the song and I still love them, but there's so many other songs that are sounding better than this.
#6
Wonder Girls - Loved (2015) (NEW)
So last year I had I Feel You pretty high up, which was only because I couldn't think of half the tracks that I should've featured. But as much as I love that song, after listening to the album over the past year, Loved is such a stand out track. In my opinion, it's probably the single greatest K-pop album tracks ever released. It's just 80s filled amazingness.
#5
After School - Dressing Room (2013) (+1)
I'm still upset at myself that I haven't purchased the First Love EP yet. I want to, but I keep feeling like I can't justify buying K-pop EPs anymore because they cost the same as full albums & none have come up for cheap on ebay that I've seen. Oh well, eventually. This is After School's greatest song and should've been a single. I couldn't decide if this & Loved should've been switched around so I just kept them in the order of release.
#4
2NE1 - Come Back Home (2014) (NEW)
Quite frankly the reason this is so dang high is because of their disbandment. However, this is an incredible song and unlike the vast majority of their other material, I feel like this will hold up over the years.
#3
Orange Caramel - Bangkok City (2011) (-2)
The beat in this song is still fresh 5 years later. The ultimate K-pop club track in my opinion. Orange Caramel needs to release something else like this.
#2
Swan.B - Be All Right (2011) (-)
Why does no one know this song?! WHY?! Yes, it's super duper indie & there's no clue what ever happened to the group that did it but it's just so good. Eurobeat is sadly not featured in K-pop ever.
#1
KARA - Step (2011) (NEW)
I don't think there will be anyone in K-pop who will ever release anything quite as amazing as Step. It's one of those songs you can never get tired of and sound like they could be released tomorrow and still smash. I didn't list it last year because I forgotI forgot about it when I when I made the list. Kinda upset that I did that lol
I can't believe how soon December is already. I've decided I'm going to do what I did last year, the "25 Days of Christmas" countdown throughout December. I thought it was fun. Don't know if anyone else enjoyed seeing it or not, but I liked it. It makes up for hardly ever posting otherwise lol.
I don't actually know a whole lot about Dianna Sweet other than they have a few cool songs. They formed in 2013 and currently have three members. They have released seven singles with their newest being "Superhero" which was released this year. "Deep Snow" is their fourth single and was released in three versions, each with a different track 2. I'm mainly going to be talking about Type A since that's the one I have.
Track #1: Deep Snow
I'm actually not a big fan of the title track itself. It starts out nice enough, and the music is catchy, but I don't like how they sing the song itself. Their vocals are very young sounding and a little annoying. It also sounds like the girls are off pitch of the song that they're trying to sing in certain places (in the verses in particular). It's unfortunate because I think with a different group the song would sound really cool. 3.5/5.
This will be the only video linked since the others aren't on YouTube/Spotify.
Track #2: The Twin Tail!
This song is the reason that I bought the single in the first place. Now I'll be the first to admit (and I've even already said it) that I can't really stand the super high pitched cutesy voices that are present in this song. The reason I do like the song though is because of the music itself. It's a "metal" idol pop song that is super catchy and fun. It's like really early Babymetal, except without Suzuka's good vocals. 4.5/5.
Track #3: Hatsukoi Revolution 2015
This is the third track across all three versions of the single. It is an updated version of their first single, Hatsukoi Revolution. I don't like remakes and remixes personally. It bugs me when I end up having 3 different versions of the same song so I always end up deleting the non-originals. However, I have never heard the original of this song so I can't really compare. This version of the song is really idol poppy, but not annoyingly so. It's catchy, but definitely my least favorite on the CD. 3/5.
Type B Track #2 & Type C Track #2: Lucifer & Always
I can't really say too much about either of these two tracks as I've only heard previews of both. From the previews that I've heard, Lucifer is my favorite of the two. Lucifer is a dance pop track with pretty good sounding vocals. Always is a ballad track and doesn't really do anything for their vocals in my opinion. I can't rate either though as I haven't heard either in full.
All in all, it's not a great single, but it's fun and catchy. I much prefer their two newer singles to this though. Although Dianna Sweet isn't that well known, you can buy some of their music on US iTunes! If you'd like to check out more of their material. 4/5.
Why is it so dang difficult to find a list of Japanese groups that debuted in 2015?! I KNOW that I know of groups that have actually debuted in 2015 but I just can't remember anything....so I just decided to go with groups that are newer that I discovered in 2015.
Group #1: Tsubaki Factory
I'm just going to keep posting about them dang it lol. Tsubaki Factory is Hello! Project's newest group. They were formed in April with six members from Hello Pro Kenshuusei. They made their debut in August with their first indies single, Seishun Manmannaka. This song is an electropop number reminiscent of songs from Morning Musume during the current colorful era.
In November, they unveiled their second indies track, Kedakaku Sakihokore. It is also an electropop track like Seishun, but this time features a rap section by the members.
With the group still in their infancy, it will be fun to watch them grow over the course of 2016 and hopefully we will see their major debut soon in the next year.
Group #2: Osaka Syunkasyuto
It irks me that they romanize it as Syunkasyuto instead of Shunkashuto. It just looks bad like Syachihoko instead of Shachihoko. I'll probably just keep it as Shunkashuto even though the official romanization is with the ys. Osaka Shunkashuto is a seven member group that debuted in 2014. Member Maina is the lead in their tracks and has an absolutely stellar voice. They've released a few tracks so far and have recently released their first mini album, Early Season. I haven't yet listened to all of the CD as I haven't received it yet, but one of the songs on the EP, C'Mon!, is an uptempo pop-rock track led by their powerhouse vocalist Maina.
Because of how they managed to impress me as they have and with Maina's vocals, they are a group to keep your eye on in the coming year.
Group #3: X21
X21 is currently a thirteen member group put together by Avex who debuted in 2013. I cam across them this year with the release of their first album, Shoujo X, and the title track that was released for promotion. Shoujo X is a strong pop song with a driving beat that you can't help but want to dance to.
Earlier this year, X21 was issued a challenged by their company. If they didn't sell 10k copies or reach the top 10 with their new single, You-Ki no Parade, the group would go on an "indefinite hiatus". The song, a happy idol pop track, managed to reach #5 on the charts, allowing the group to continue.
Their most recent release is Magical Kiss, another idol pop track with a beat that reminds me of some Christmas songs.
As they are a more established group than the other two, and were able to beat their challenge, they are a J-pop group to watch in 2016.
I know I haven't posted the 24th day yet, but I wanted to post this before the end of Christmas. So I just want to wish everyone a very Merry Christmas & a Happy New Year!!
So this is slightly different than the other posts I've done. I want to highlight three groups that debuted this past year that I'm looking forward to seeing more of in 2016. I should also say that I likely won't get tomorrow's post up for tomorrow. I'll be running around everywhere because of the busy-ness of Christmas Eve, but I hope I can get it up.
Group #1: Oh My Girl
Oh My Girl is an eight member group that debuted in April of 2015 with their first mini album, Oh My Girl. The lead single from the mini album was Cupid, a cute track somewhere between an early SNSD and KARA's recent material sound wise.
In October, Oh My Girl came back with their second mini album, Closer, with the lead song being the title track. Closer is a mid-tempo track with an ethereal sounding EDM beat, reminiscent of what you would hear on Ellie Goulding's Halcyon. With this track, it seems as if Oh My Girl has lit a fire in the international K-pop community, gaining the song a lot of praise for an offering from a new girl group.
Oh My Girl hadn't managed to capture my attention with their debut track, but blew me away with their comeback. There will be a lot of hype for the follow up to Closer, and this makes Oh My Girl a group to watch out for in the coming year.
Group #2: Twice
Twice is a nine member group that debuted in October of 2015 with their first mini album, The Story Begins. The lead single from the mini album was Like Ooh-Ahh, an upbeat pop track which is almost like a combo of early 4Minute and early SNSD.
Twice's debut had been highly anticipated as they began on the JYP Entertainment survival show Sixteen. As they have a lot of momentum behind them and they are yet to release a follow up, they are another group to look out for in 2016.
Group #3: CLC
CLC is a five member group that debuted in March of 2015 with their first mini album, First Love. The lead single from the mini album was Pepe, an upbeat and colorful track that showed off the girls' charms.
After the release of their debut CD, the girls made their comeback with the digital single Eighteen in April. The song is a synth filled pop track catchy pop track that follows Pepe nicely. While not a true comeback, the release served to generate hype for the next mini album which was released in May, with the title track Like. This song is a peppy cute track in contrast to their first release.
Although CLC failed to impress me with their comeback, I still am looking forward to what they can come out with next. I have hopes that they'll rise to the level of 4Minute's music. As they have gone the longest of the three groups with no comeback, their return hopefully with happen in early 2016.
I'm not entirely certain on my feelings about H!P's music this year. Losing Tsunku as the producer for almost all of the groups was such a huge blow in my opinion. His music was the main reason I fell in love with Hello! Project as much as I did. I'm hoping that as he continues to recover and get more into work again that we'll see at least one song by him per group next year.
Morning Musume probably released the best tracks as a whole this year. From their first single this year, Seishun Kozou and Yuugure were both fantastic. I've gotten a little sick of Seishun, but Yuugure is really a highlight in their discography. Ima Koko Kara was good as well, but I often forget it exists. Their second single was awesome as well, with Oh My Wish being one of my favorite tracks from the colorful era. Sukatto was a nice break from the EDM for those that had been wishing for it. Ima Sugu I don't care for much at all. It's really bland. Their newest single doesn't take up any spots on my list because it's too new, but it continues their sreak of pretty good singles for the year. Endless Sky is ok. I like it more than Ima Sugu at least. Tsumetai is absolutely gorgeous though. If it had been released a little sooner I could have easily placed it among the best of the year. The beat in the song is perfection. One And Only is amazing for the sole fact that it was made for us. The foreign fanbase. I'm grateful that UFP wants to reach out to us like they do. They don't have to, but they do anyway and it is so appreciated. The song itself is typical Musume, but a lot of fun to close out a bittersweet goodbye single for Riho.
Berryz sole musical offering this year remains one of their best ever. I'm glad they ended with a high. I'll still miss them though.
C-ute was one of the worst music-wise in H!P this year. I did quite like The Middle Management, but it wasn't good enough to have a place on my list. Tsugi no Kado eventually grew on me and GamushaLife kind of did, but both are kind of boring if you're not in the mood to listen to them. Their second single was pretty bad though in my opinion. Even though I love hearing Airi & Chisato sing, Arigatou is so boring. It was difficult to get through it once. Arashi would have been good if Maimi wasn't allowed to sing. She kind of ruins it. The previews from their album aren't all that great either. I had high hopes for Digitalic because I was expecting something Perfume-y, but it sounds like a mess. The rest I can't remember at all which isn't a good sign. Hoping next year is better for C-ute. Actually, I think they'd be better off graduating from idol-dom and moving to UFP as full artists. They could do so much more I believe without H!P & the idol tag holding them in place.
Angerme has given me mixed feelings this year. On one hand, they've really come into their own as a group with the addition of the 3ki. The group seemed pretty solid this year. Losing Kanon didn't seem like it would affect them much, and then Meimi announced her graduation. Meimi is really a core vocalist for the group and it's going to be a major blow when she leaves so I hope everyone steps up when she's gone. Music-wise, I don't feel like Angerme was a solid as their group seems. Taiki Bansei & Otome was an amazing way to start the year. The gothic and peppy themes worked perfectly. Their second single didn't come through as much as their first did. Nana Korobi is one of the best things they've done this year, but Gashinshoutan was boring generic idol pop. Mahou Tsukai was cute, but felt out of place for the group. Their final single was their worst this year though. I want to pretend like Desugita doesn't exist and Watashi is okay but annoying to listen to more than a little. Dondengaeshi was pretty good and I certainly hope that if their last single is indication on the direction they're doing to choose, I hope that direction is Dondengaeshi and not Desugita. Of the new songs on their album, only Marionette is a stand out (and one of their best ever). The other Latin flavored one was pretty good, but beyond that I only remember the other ones being boring. I'm just hoping for consistency for them next year.
Juice=Juice was completely a non-event this year. One single and one album, that's it. Next year seems bright for them though because of their drama coming up. Their only single this year was quite a let down from their previous material. Beyond what Country Girls put out, Wonderful World is the most bland song to come out of H!P this year. Ca va was pretty great, but still pales in comparison to their main A-sides in past years. Their album proved to be better than the single, even though I don't remember half of the tracks. That's my own fault though. I haven't given the album a listen since I received it.
Country Girls started off well for a cutesy group, but took a nosedive with their second single. I had absolutely no expectations for them as cutesy groups are a pretty big turn off for me, but their first single was so catchy! Itooshikute & Koi Dorobu are fun tracks despite being cutesy. Because I had been surprised by them with their first single, I was looking forward to their next one. Which was horrible. A poor Itooshikute rip off & the generic mess of Tameranai. Gone was the charm of the first single. I'm hoping that with the addition of the two new members, they can get back on a good path next year. Hopefully. I'd be horribly disappointed if Musubu was exiled to the blandness of Country Girls and they never improved.
Kobushi had a pretty good debut year in my opinion. I'm not a huge fan of the rock style for idol groups, but it suits them so much. I'm actually disappointed that they only had one true single this year. It's actually funny that in the end Nen ni wa Nen, which I thought would be the only song I liked on the single, turned out to be my least played from it. I'm not going to pretend that Ramen Daisuki is actually a good song, but it's so catchy that you can't help but love it in the end. Dosukoi is also really fun. It's too bad nothing topped Survivor this year though. Even though it was just for a stage play, it's their best song yet and I hope to see more of that "darker pop/rock" style in their upcoming single.
Tsubaki was the wild card this year. No one expected a new group formed right after Kobushi. I honestly didn't expect a whole lot out of them. The only member I really sort of cared about in the Kenshuusei was Kisora. Then they released their first song. Yeah they aren't the greatest singers or performers or what have you, but they managed to blow even Morning Musume out of the water with their song. I have heard their newest song and it sounds super catchy like Seishun as well so I have high hopes for it when a better performance comes out. Tsubaki is the group I'm most excited to see in 2016.
#10: Morning Musume - Sukatto My Heart
#9: Juice=Juice - Choice & Chance
#8: Morning Musume - Seishun Kozou ga Naiteiru
#7: Kobushi Factory - Survivor
#6: Morning Musume - Yuugure wa Ameagari
#5: Angerme - Nana Korobi Yaoki
#4: Angerme - Marionette 37C
#3: Berryz Kobo - Love Together!
#2: Morning Musume - Oh My Wish!
#1: Tsubaki Factory - Seishun Manmannaka!
Enjoy! What are your favorite H!P songs of the year?
48G has been very hit or miss this year in my opinion. AKB themselves have actually been pretty great, both with A-sides & B-sides. Much better than last year anyway. SKE wasn't too bad, but not many of there songs really popped to me. NMB's A-sides were pretty fantastic (minus Durian Shounen), but their B-sides were bland. HKT & Nogi were pretty much non-events this year. I hoping that for the sister groups next year's music is better overall and AKB keeps up what they have going this year.
The Western pop scene doesn't get enough love from K-pop or J-pop fans. I will never understand why some of those fans (K-pop fans in particular) rave about other countries' pop music being SO much better than American stuff when it's pretty much exactly the same thing. Just with more groups instead of solo singers. There's nothing wrong with preferring one over the other, but to say that there's this vast difference in musical style & quality is wrong. There's crap music in K-pop, J-pop, and American pop, just like there's good music in all three. This list was also really incredibly difficult because of the sheer amount of artists this covers. I'm going to need to have a better solution next year lol. Spotify playlist at the bottom this time instead of YT videos.
#10: The Weeknd - In The Night
#9: Demi Lovato - Kingdom Come (ft. Iggy Azalea)
#8: Colette Carr - Three Percent
#7: Zedd - I Want You To Know (ft. Selena Gomez)
#6: Ellie Goulding - On My Mind
#5: Adam Lambert - Evil In The Night
#4: Walk The Moon - Work This Body
#3: Fall Out Boy - Fourth Of July
#2: Melanie Martinez - Pity Party
#1: Pentatonix - Ref
Enjoy! What are some of your favorite Western tracks of the year?
So unlike yesterday's list which was J-pop acts in general, this list is all Japanese idol groups. This year I really found myself digging deeper in the Japanese girl group scene. I had been content for years with just 48G & H!P and a couple other songs here and there, but over the years I've become more and more curious about other groups that are out there. I have to say that the idol scene in Japan is quite overwhelming because of the sheer number of groups that exist. It's also interesting to me how many of these local idol groups have YouTube channels and allow overseas viewers to see videos and such. YouTube has really been an awesome way for me to discover new groups.
For this list, 48G & H!P are excluded like always.
#10: Linda III Sei - Ruby Monogatari
#9: Fairies - Kiss Me Babe
#8: Osaka Syunkasyuto - C'Mon!
#7: X21 - Shoujo X
#6: Ayami Muto - Parallel World
#5: Dianna Sweet - Fire Girl
#4: Yuu Kikkawa - Wild Strawberry
#3: Up Up Girls - Bijo no Yajuu
#2: Cupitron - Battery
#1: Galette - Air Summer
Enjoy! What are your favorite songs from Japanese idols this year?
This list is only for J-pop acts, so what I mean by that is no current idol groups or singers. Groups like Perfume and soloists like Tomomi Itano still count in this list to me as girls like Tomomi are former idols and I don't count Perfume as an idol group. Again, I've only barely begun to scratch the surface of non-idol J-pop so this list probably trends pretty close to groups/singers associated with idol pop. But, I am getting more into other Japanese acts so hopefully by this time next year I'll have different types of acts to feature! I also only have a top seven because I couldn't think of anything else non-idol I've really cared for this year. Another reason I need to get into more things!
#7: Namie Amuro - Golden Touch
#6: Man With A Mission - Raise Your Flag
#5: Perfume - Pick Me Up
#4: Ai Shinozaki - A-G-A-I-N
#3: Tomomi Itano - Gimme Gimme Luv
#2: Perfume - Star Train
#1: Ai Otsuka - Laugh
Enjoy! Anyone have any good recommendations for a non-idol J-pop song?
